A tale of two farmers’ markets
By • March 9, 2012
I remember the day I first saw the startlingly avant-garde mockups for what would inevitably become the Seaport Market. I was disheartened. I think …
By • March 9, 2012
I remember the day I first saw the startlingly avant-garde mockups for what would inevitably become the Seaport Market. I was disheartened. I think …
By • March 9, 2012
With BlackBerrys and freeze-dried granola, we’re all crunching the numbers,
making light of it all and “liking” our lives
in preformed, formatted opinions.
Options are slim,
slimming opiate …
By • March 3, 2012
Having existed as the iconic artistic haven in Halifax for decades, the Khyber is a revered instution, one that’s cemented firmly in the many …
By • February 16, 2012
Halifax rests uneasily in an anxious, teeth-grinding state of turmoil right now. Half the city fiendishly skims through newspapers and scours blogs just for …
By • February 10, 2012
Bearing down in a blaze of feverish, affected folk and uptempo jazz, and swinging humble songs of heartbreak and perseverance, Marc-Antoine and the SoHo Ghetto …
By • February 10, 2012
Everyone’s introduction to university life usually follows the same basic structure: a chaotic tempest of relentless partying, ordering terrible Chinese food, juggling class schedules …
By • February 3, 2012
Provincial, the debut solo album from eloquent, witty and charming Weakerthans frontman John K. Samson is an engrossing, reflective excercise in small-town solopsism and …
By • February 3, 2012
In our supposedly brilliant and technologically advanced modern age, we’re expected to be constantly innovating; we are meant to be perpetually critiquing and evaluating …
By • January 27, 2012
The Bus Stop Theatre was re-arranged, the traditional rows of seats eschewed for a makeshift cafe aesthetic as Jenny Berkel slid quietly on stage. …
By • January 27, 2012
An absolution in the form of thick and glossy harmonies spilling out of a cracked and crumbling wall of blissed-out, grungey guitar groans, Jon …