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Where to see live music

Yukon Blonde played at Dalhousie last year—one of many great bands to feel the pull of the coast. (Chris Parent photo)
Yukon Blonde played at Dalhousie last year—one of many great bands to feel the pull of the coast. (Chris Parent photo)

Halifax is one of those communities where great music flourishes. Musical talent seems to gravitate to the coast, and Halifax houses plenty of venues.

The renowned Seahorse Tavern (1665 Argyle St.) is a must visit for any self-respecting aficionado—the coastal tavern has been home to the city’s best since 1948. For the real Easterner experience, just mix one part friends, one part Keith’s, and one night in the city’s trendiest basement bar.

In the 1990’s, Halifax was toting itself as the “next Seattle,” and at the center of it all was the Khyber Centre for the Arts (1588 Barrington St.) The Khyber has been a home to many Halifax veterans (note the Joel Plaskett album, Down at the Khyber), and is always at the forefront of the coastal cutting-edge.

Most nationally-touring bands will be stopping at the Halifax Forum (2901 Windsor St.)—a hangar of a building devoid of any human charm. This is the sort of venue you visit before going out on the town.

Gus’ Pub (2605 Agricola St.) and Michael’s Bar and Grill (6100 Young St.) are north-end staples. By combining elements of dive-bar and rock club, they’re two of the most homely venues in the city. What better suits burgers and beer than some fuzzy, home-grown punk rock?

For those who prefer to be crooned to by singer-songwriters, The Company House (2202 Gottingen St) is a gentler way to hear the city’s voice. Here you’ll find a cozy atmosphere that emphasizes artistic integrity and community involvement.

Of course, for those listeners who want to dive into the city’s veins—keep a look out for posters pinned to traffic lights and telephone poles. Independently organized venues pop up all the time, and are a cheap fount of local talent.

Mat Wilush
Mat Wilush
Mat Wilush once went to see Agent Orange on the outskirts of Toronto, where the beer was salty and drunken teenagers took turns sitting in a prop electric chair. The music had aged poorly. A mohawk’d middle-ager danced through the first couple songs, but quickly tired out. There just isn’t much room for surf rock in the world anymore. What next? Mat Wilush wants to know. Mat is the Gazette's Arts Editor. Follow him on Twitter at @wilushwho and email him at arts@dalgazette.com.
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