Saturday, August 30, 2025
Home Blog Page 90

DSU vice-president (academic and external) candidate: Hannah Surita Beaulieu

Editor’s note: This interview was edited for length and clarity. 

Why are you running for this position? 

There’s a bunch of different reasons why I’m running. But I guess the more specific one is since we’ve transitioned to online, I’ve noticed that nothing is really streamlined for students and it’s really frustrating to figure out how to navigate just the online space in general. Also, navigating university is just really hard.  

But throughout this transition, I’ve had a few, I guess, incidents where I felt like my voice wasn’t heard.  

My accommodations were completely messed up in the first semester and it wasn’t until the midway point that I realized this. When I reached out to the accommodation’s office, they essentially said that it was my fault that I didn’t fill out the forms properly. But they’re forms that I filled out for the past three years. My file just kept getting thrown around from like advisor to advisor. It was really confusing because one, I didn’t know who to reach out to, and two, I felt like my entire semester up until that point was wrong. I just didn’t trust the grades that I was getting because obviously I knew just the way that I work, I knew that my grades were going to drop going online. But I didn’t know to the extent that my grades were going to drop.  

So, it was kind of well, is this because of my accommodations? Or is this because of online class? And I just kind of felt like I was stuck in a corner and literally couldn’t turn anywhere because there were no resources for me. I didn’t know what to do. I felt like that on numerous occasions especially since transitioning to online.  

I don’t think it’s fair to students to have to feel that way. I know that this is very based on my own personal experience. But I know that I’m not alone in this. I know people, like students specifically, need more transparency and I feel like that comes from the Dalhousie Student Union (DSU), which is an organization that is supposed to advocate for students. 

What kind of things are you thinking about with regards to online learning? Do you have any plans at the moment you would hope to implement in that space? 

It’s hard because we’re used to being able to just walk into the Killam Library and sit down, or walk into the Student Union Building (SUB), and eat at the Grawood and go to those events. But in terms of concrete changes, a lot of my platform surrounds the need for transparency and the need to feel heard. I actually reached out to Reddit like, the Dal subreddit. I wanted to reach out to Reddit because it’s been a place that I’ve turned to on multiple occasions for advice, but also because it’s so anonymous. It also allows the ability to have a conversation with students outside of your faculty or outside of your classes.  

Specifically, the people that have responded to my post in the Dal subreddit have been students from the Sexton campus and what has been repeatedly stressed to me is there is a need for representation for that specific campus.  

In your candidate profile you talked about being a graffiti artist. How do you think the skills you learned as a graffiti artist will help you as an academic leader? 

The people that I’ve met in the graffiti community in Toronto really opened my eyes to [how] it’s not just painting on a wall. I got more involved in community projects and writing grants. What I loved about this process of creating art –– especially because I was very involved in the Indigenous community as a Métis and Trinidadian –– was building community pieces. [During] this process we would facilitate workshops, and in these workshops, we talk about: “What do you love about your community? What do you enjoy? What are memories that you have?” And in return for your knowledge and your stories that you’re sharing with myself and my team, we build this rendering of a mural.  

Then we go back to the community and say: “Hey, do you see yourself in this? Do you like it? Is there anything that you’d like to change?” And there’s this dialogue, going back and forth. Yes, at the end of the day I’m the one that’s getting paid and I’m painting this mural. But at the same time, it’s your voice and your story that’s weaved in between. What we give back to these participants is not only the mural itself, but also how to do art.  

It was that experience of really giving back to the community that really pushed me to say, “OK, well, what can I do one step forward?” So, I guess that like transition between art and kind of back into politics, if you want to even call it that, is me just really seeing this need to have people’s voices heard. 

What do you think the biggest issue on campus is? 

I mean, for one, definitely the tuition increase. That one hit very hard for me specifically. I didn’t even know if I was going to be able to come back to school. . . Thankfully, I have the Ontario Student Assistance Program and I’m able to make those ends meet. But I couldn’t imagine having to pay tuition out of my pocket. 

The second thing is really with the accommodation’s office, to really have those services promoted across campus. Not just that you can get a note taker, or you can get extra time on your exams because that’s not it. That’s not all the accommodations that are offered. So, really just promoting that transparency for services on campus.  

Is there any positive thing you think the DSU did this year for students? 

To be completely honest, it felt as though my union fees went to waste this year. With the transition to online, I’m wondering, why I am paying more tuition to learn from my own computer that I paid for with my own money from my own job? 

It was amazing that FASS [faculty of arts and social sciences] had the discussion boards on Brightspace, which definitely went a couple ways. It was good to see they were wanting that feedback. But when you’re talking to such a large number of students, you’re not going to have one consensus. This is what we need to do because everybody’s different.  

That’s what’s so frustrating about the DSU this year. This is what I’m seeing from students commenting on discussion boards and whatever. It’s like, we’re paying fees. We don’t know what you’re doing. Sure, we see the budget and the annual report. But what does that mean? . . . Because we don’t know what we’re paying for, we don’t know what we’re getting into. 

Is there an issue you think the DSU handled poorly this year? If so, how would you handle it differently? 

More consultation: That’s the base of my platform. This isn’t, I’m not taking this as a game. It’s not me just playing politics to get into the DSU and get that nice salary. I’m tired of complaining to my advisors, and professors and friends. I want to channel that energy into trying to do something productive. I think at the very core of this, it’s not the whatever number of people that sit at the executive table. It’s not just those people. It’s who are we representing, whose voices should be intertwined in this. It’s not discussion boards on Brightspace. It’s face-to-face conversations with real people that need to happen. Because if we’re not doing this, how are we going to actually represent who we are supposed to?  

I guess, in terms of concrete things that I would do, it’s really that consultation. I can’t promise to make mountains move. I can’t promise to lower tuition, I can’t promise to make student debt disappear. But at the very least I can promise to the student body that I want to hear your stories and say, ‘Well, what do you want to move forward? The union fee that you’re charged on your tuition, what justifies that for you?’ 

You mentioned students feel like there’s not too much communication coming from the DSU and students don’t have the time or motivation to look through the few pieces of communication they receive, such as a budget report. What kind of tools would you use to increase transparency? 

Of course, social media. That’s a huge help. It’s frankly like one of the easiest ways to spread the mass information out there. Especially with like, being able to follow the DSU on Instagram, or even the Facebook page.  

Understanding your tuition. There should be at least like a pamphlet or something to explain, ‘Here’s your tuition costs broken down.’ Don’t just give me facilities for $100; what does that mean? Is that Wi-Fi? Is that the custodians that are cleaning the building? Is that the utilities, like what is that? DSU fee, what is that? 

In the bathrooms and stuff at Dal, there’s also like the sheets of where to go for help and like a bunch of phone numbers. That’s intimidating. Up until two years ago, I wasn’t able to order my own pizza on the phone because I was so anxious. You expect me to call the crisis hotline if I can barely order my own food? 

There has to be multiple channels. Even if it’s a submission box that’s completely anonymous, where all you need to do is put in your email, and you don’t need to even put in a name. So, even just having an anonymous submissions box, or creating pamphlets that we could have online as PDFs and in the SUB as free to take. It’s not me having to come out with my phone and take a picture of the poster in the bathroom stall and find another place to go call this number. It’s making it right there, ready and accessible for students. 

What’s the most fun you’ve had on a screen this year?  

Oh my god, probably the Christmas Zoom call with my family. My partner’s family is like 10 people total. But mine is like 40 people. So, there’s like 20 of us on the Zoom call and they’re all yelling at the same time, all having different conversations. I’m like, ‘Oh my god guys, just learn how to use the mute or something’ because nobody was taking turns and it was just a nightmare. So definitely the two Christmases, where like one was super quiet and one was really loud. 

DSU vice-president (student life) candidate: RJ Roggeveen

Editor’s note: This interview was edited for length and style. 

Why are you running for this position? 

I am running because I’ve always wanted to be involved with the Dalhousie Student Union (DSU) in a more in-depth role. I also really believe in vice-president (student life) [VSPL] being a position where you can impact how students experience their academic career at Dalhousie University. That’s something that I’m really passionate about, bringing forward student issues and reaching student goals. Really addressing those student issues through events that we can place at Dal. Through initiatives, and this is the role where I see that happening the most because you get to connect with students of all years, from their first day to even their last year of study. 

What do you think is the biggest issue the VPSL would be dealing with on campuses? 

I think right now the biggest issue that they’ll be dealing with is student engagement through our online platforms. Because everyone is feeling online fatigue, you don’t want to sit in front of a computer and do activities. You want to be out there doing things. So, I think right now looking at ways to engage students, but from their homes making it not fully sitting at a screen.  

I think that’s one of the biggest issues that is going to affect the role of the vice-president (student life) and what they intend to do. With that, also meeting student issues in this new digital world. So really finding ways to meet the student issues such as our mental health access. Finding ways that our students can actually access resources, but from a distance. 

What are your plans to create enjoyable online experiences when people are pretty Zoom fatigued? 

Something that I would like to do is create events that students can do online. So maybe we are doing a few things where you are at a screen. But more so doing events that students can do with their friends or with their bubble, not on the screen. Maybe we’re doing events like: an amazing race type thing where you’re with your bubble; you’re doing like a photo scavenger hunt sort of deal; then you’re competing against other bubbles at Dal. Really putting resources in place so that you can do events with the people you’re around and still feel connected through the community that we have at this school, but without being with each other.  

What’s one positive thing you think the DSU did this year for students? 

My favourite thing was actually the thing I most recently saw. I had a couple of favourite things before that, but the most recent one was seeing them put out that mental health bursary because of how accessible it was and applicable to all students. That was the one initiative where I was so excited to see them be able to put that out there, really at a key point where students are struggling financially and they need a resource that is going to meet their needs. Especially through mental health, everyone I’ve spoken to is struggling in some capacity with their mental health and could benefit from even a little bit of a bursary. So, that was one of my favourite things I saw very recently.  

But I also do want to highlight that seeing how they ran O-Week, how the vice-president (student life) this past year ran O-Week, I was really impressed. I saw great initiatives and activities be put in place for students that were distanced. They took time to use the space at Dal to make it distanced and still fun. They did movie nights; they were able to put on a really awesome concert. The dreaming in colour initiative was really placed at the forefront of part of their O-Week, which was amazing to see. So, there were some great things that they did, that I think we can keep doing going into this next year.  

Because we know that we’re going to be in this COVID-19 time, but it’s possible that we might get a transition back to campus. So, we might get to use a lot of those resources that they’ve put in place this past year, and just add on to them and keep them going. 

Is there any issue you think the DSU could have dealt with better? If so, how would you have dealt with it? 

I’ve talked to a couple of students actually specifically about this issue recently: mental health support access for international students. Dal did not really show up for them in the way that they needed this past year. I don’t think our DSU really had that as a focus. I don’t think that’s really on them too much because this is stuff we’re learning now. It’s possible that they actually didn’t know that was what was needed and that Dal was lacking in offering those. 

But knowing that now, that our international students are struggling the most with accessing mental health resources with not being in the country, that is something that I would like to make a focus and talk to them about, to see what they need. Talk to international students about, do you need more events and connectedness to help you feel like you’re not alone? Or do you need more one-on-one professional support that we can help with creating resources and access to? So really looking at these options for international students. I’d like to start that really in the fall. So that students know that those resources are there, that they are supported and that they really matter. 

At the DSU candidates debate you spoke about how you’ve already been helping students with advocacy around tuition hikes and speaking to them about what they can do. Could you talk about what you’ve been doing and how you would build on that in the executive role? 

Yeah, something that I was really happy I was able to do. So, we get funding for our campaigns. Some students know this. This year, they gave us funding to run ads on social media. I was really happy that they gave us that. The ad that I chose to run on my social media was the tuition hikes one. As much as it didn’t focus on my platform as some of the other posts could have. I really wanted that one to reach as many Dal students as it could because we need them to advocate and email bac@dal.ca [The Dalhousie Budget Advisory Committee]. We need them to join this group of students and learn what they can do. That was something I was actually really happy I got the chance to do, even just during the campaign. Because if I don’t get in, I still want to make that difference.  

The other thing is, I have been so honoured to get to talk to students online about these tuition hikes because the tuition hikes affect international students the most. I’m personally not an international student. I don’t have that first-hand experience. I’ve had multiple international students reach out to me, and express how they feel and what advocacy can look like. So, that’s how I learned about this tuition hike Facebook group that was running. I was so honoured to get to hear from them and to have them share their stories. Then I got to use my platform to really help with that. So that’s just stuff I’ve been doing already, but I’d like to keep it going. I want to keep bringing student voices in front of the eyes of the university and make sure that students have that chance to be heard. 

What’s the most fun you’ve had on a screen this past year? 

I’ve had a lot of fun getting to do different games with my bubble when we weren’t a bubble. We found different games online that you can play where it tells you things to do in your house, but you’re separated. So, it was really strange at first, but we kind of loved it. That was probably the most fun. That was at the start of all the quarantine stuff. There’s a really great one called Space Team that I absolutely love to play with people.  

DSU presidential candidate: Maddie Stinson

Editor’s note: This interview has been edited for length and style. 

If re-elected president, what are some things you’ve learned over your term that will make you do things differently? 

I mean, there’s so much I’ve learned over the past year. It’s such a learning curve to step into this position especially from a mostly business background. I didn’t have a lot of student organizing experience from a social justice lens when I moved into this role. But the Dalhousie Student Union (DSU) does take on a lot of that work. I think the most important skills I’ve learned are more soft skills, like how to foster a space where students feel like they can come to the DSU. I’m very happy we have seen an increase in students reaching out with their issues because they know that yes, you can help advocate for them.  

Things like learning how to listen. To listen, I think just more than I speak in spaces and learn what it means to be in my role. How even though I’m a student, this specific role has a relationship with students that deserves a little bit of nuance and respect. Learning how to interact with people who are my peers. But also, in a way where I have to recognize I am in a position that has resources and privileges attached to it. 

One of the things you spoke about last year in your candidate interview with the Dalhousie Gazette was how you’re a business student, and you look at everything kind of through a more analytical lens. You said you wanted to look at the DSU in more of a business sense, ensuring services were running well for students. How has the way you look at the DSU changed since then? 

I would say it’s probably a little less analytical. My idea of analytical last year was to look at things from an efficiency, productivity and numbers driven way. To me that meant I couldn’t include things like anecdotal experiences, feelings and opinions. But over this year, I’ve really learned when we’re talking about optimizing our services, or making sure our fees are being used in the most productive way, what actually helps bolster that work is using live student experiences. By listening to people’s feelings and thoughts about things in a way I didn’t think was possible last year. 

Last year, you were also a vocal advocate against the DSU. How does having experience being on both sides of DSU issues affect the way you deal with constituents’ issues? 

I think it gives me a good perspective to understand how students feel when they come with issues and say, “The DSU is doing this wrong” because I can remember a time where I also felt that way. So, I want the DSU to continue to be a safe space for students to come forward and say, “I don’t like what you’re doing, you need to address this issue, you need to change how it’s going.” To feel like the things they’re saying are actually being listened to and acted on. Because at the end of the day, if students aren’t happy with what we’re doing, then we need to change what we’re doing. That’s just the reality. The DSU shouldn’t be a reflection of the executives, it should be a reflection of the students. So, if folks are saying we’re doing something wrong, good. Tell me, I’m going to listen and we’re going to change things. It’s nice to have that background to be able to recognize that side.  

At the end of the day, the DSU is an institution. It’s not a grassroots organization. It takes longer for us to adapt to things just based on the way the organization is built. Having that perspective, I think provides some added flexibility. 

What are you most proud of after your term as president? 

I think I’m most proud of the reconnections the DSU has made, even just over the course of the year. Seeing how different student groups who were at odds with the DSU have since come and said like, ‘We really like what we’re seeing this year.’ They’re now more willing to come to the table to tell us what’s going on and how they need help. I think that’s a good reflection of how the work that this team has done this year has really met the goal a lot of us campaigned on, which was to reconnect the DSU with the student body. So, I’m not saying we’re completely done, I don’t think we’ll ever be completely done. But even just seeing those small steps, especially in a year where folks are just so overwhelmed with things. 

Can you give a few examples of some of those groups you’re happy to have that reconnection process started with? 

I think Sexton campus is a really good example. We’ve heard a lot of good feedback from students on Sexton feeling like the DSU is a bit more representative of that student body this year. We’ve heard from some folks on the Agricultural campus that they’re happy, that Truro seems to be more of a consideration this year. We even heard good feedback from the Dalhousie medical campus in New Brunswick, which was nice because they’re quite far out.  

The university as well, which is not necessarily a student group, but we’ve been able to mend quite a few fences with the university this year, and engage in partnerships that are new and old. Some that we’re restarting and some that are completely new, which is really nice. 

What do you think the DSU needs to improve on after this year? And why would you be the person able to improve it if re-elected? 

Something I’ve been thinking about a lot over the course of the year is how student advocacy works on our campus. This perspective was really brought to me by other students who I was working with. They recognized sometimes other students on campus who want to advocate for issues are excluded from the spaces they want to be in because the DSU is there. It’s taking up space. 

When we want to advocate for things, there’s very little time, and resources and space for that to happen. So naturally, these student groups are competing and the DSU hasn’t been there to support them. We’ve actually been standing in the way of some student groups having the conversations that they want to have with the university. So, I think it’s really important that we start looking at how the university, like the student body as a whole, gets involved with advocating for students.  

I think my perspective in being a student who wanted to get involved, and was told no last year and then found a way to do that, gives me some background to one, understand that issue. Two, I’ve had the opportunity to get in touch with a lot of these groups that have said, ‘We want to be at the table, this is an issue we want brought forward.’ Maybe it’s a smaller issue and there are less students on campus who care about it. But by building those relationships we have some sort of environmental awareness of what’s going on. I hope, just based on some of the stability that comes with having consistency in executives, students feel like there’s more of a structure they can come to find support with some of those smaller issues and not be cut out of discussions. 

Do you have any plans if you were to be president when students return to campus? 

Yes, it would be so exciting. It would be so exciting. Because I sit in my office all day long, every day and see so few students. Especially in September, there was this kind of sombreness around the office because usually that’s a time when you can feel the energy on campus and we were missing that this year. Something I’d really like the opportunity to do when students come back is to actually like go to student events. To be with students and hang out with them to really hear what’s going on in a more personable way. Instead of having folks just send me emails all the time, actually being able to meet face to face. To support fundraisers, and go to events and really actually engage with people in a way that’s not just over a screen. I think we’re all tired of that. 

What initiatives that you started this year would you like to see through by gaining another term? 

Specifically, things like our governing review, we started that this year. I had really high hopes to go through all of our governing documents, and amend them with the bylaws and policy review committee. That plan just quickly fell apart once COVID-19 became a never-ending issue on campus to address. So, we’ve actually gotten external support for that and now we have Wickwire Holm [a law firm] who’s helping us conduct that review. I’m really excited to see where that goes. Once they deliver the results of where they think we can improve, I want to consult with students and bring those amendments forward. This [is] something I’m really interested in because my academic interest is in policy analysis and development.  

As well as things like our strategic plan, which I think is something that the DSU is missing compared to other student unions of our size. A lot of them have a mission and an overarching vision with goals. That also addresses that issue of there [is] sometimes being a lack of stability in the DSU, because our executives turnover year to year. Folks come in with new great ideas, but sometimes some of those goals that got started earlier are lost. By having overarching goals for the next five, seven and 10 years, we can keep some of that momentum going, and making sure when we start on a student issue we follow through and come to a meaningful resolution. 

What’s the most fun you’ve had on a screen this year? 

You know, what I really like actually is watching the livestreams of sports games when they first started putting random people in the stands that were little screens because I came into that a little bit late, and turned on my computer to watch something and was so startled by the fact they had these things in the stands. That was like a memorable moment of like, wow, we really are living in a different world. 

The show must go on

The COVID-19 pandemic has halted in-person plays nationwide since last spring, but a local performance company called Heist recently collaborated with other Canadian theatre companies to showcase Frequencies: a play presented entirely in virtual reality. 

“There is no footprint and the possibilities are endless,” says Sylvia Bell, the virtual reality operator and production manager for Frequencies. “There’s no ending in what we can do to make entertainment, to make art and to make stories.” 

A new way to tell stories 

Virtual Reality
The idea of virtual reality in entertainment may seem far in the future, but a Halifax theatre group used the technology in their latest production. (Photo by Bruce Mars on StockSnap)

From Feb. 17 to 21, Heist presented Frequencies live through their website as they performed at the Bus Stop Theatre Co-op in Halifax. Written by local artists Aaron Collier with Francesca Ekwuyasi and Stewart Legere, Frequencies is one-part live techno concert and one-part autobiographical confession.  

The play projects vivid animations through a virtual reality headset with cameras worn by the production manager. Using the headset, Bell sits as the created virtual reality moves around her: The camera on her head records three-dimensional drawings of children, planets and plants in a black-and-white palette. The play presents a conversation between a man and his dead brother. 

“It’s such a big production,” Bell saysFrequencies was organized in partnership with Pi Theatre, Theatre Outre and Prairie Theatre Exchange, which provided funding and promoted the show in British Columbia, Winnipeg and Alberta. The play has been a three-year project in the making with its debut date originally set for June 2020. That was until the pandemic hit. 

Due to COVID-19 restrictions, Bell says “the direction the show has gone in is really technically advanced, but also feels like the right way to tell the story.” 

For Frequencies, Bell wears the reality headset for seven hours on performance days. She says she felt entirely out of her comfort zone at first, having never used virtual reality to direct theatre before. 

“Am I the right person to be doing this?” Bell recalls having wondered. “Is the technology something we have access to? Can we do this? What will this look like?” 

The future of theatre and technology 

Heist recently hired personnel specialized in software design. Such technicians work in different categories: Coding, two-dimension and three-dimension graphics. Their job is also to remain next to Bell during all performances, ensuring virtual reality cables are properly connected.  

“Technology may seem like a restriction compared to the old ways, but it’s actually forcing people to innovate and create new ideas,” says Alex Sinclair, one of the newly hired technicians. He says he feels amazed at the beauty coming out of virtual reality. 

 “There are things that you don’t expect. But as you are going through the process of transcribing the play, something pops up that would never have come just by reading the script out loud,” Sinclair says. 

Bell likewise agrees with the benefits of experimenting with theatre and technology. Bell adds that even when COVID-19 ends, she sees a future for virtual reality theatre. One of her ideas is giving audience members individual virtual reality headsets. 

 “I think it will be really thrilling for our community to see all the possibilities out there if we look in the right direction for them.”  

Shining a light on the future

0

While the COVID-19 pandemic has made it difficult for many to imagine a life without masks and social distancing, some students at Dalhousie University have tried to brighten the recently darkened future.  

Knowledge that Transforms: Open Your Mind to the Future was the theme of this year’s TEDxDalhousieU speaking series, which was held virtually on Feb. 6, 2021. 

According to Mahmoud Agha, a second-year environmental engineering student and the event’s lead organizer, the aim of the event was to inspire and motivate students about the world they’ll soon be in charge of.   

“I think when we start to think: ‘This is my life, and this is how it’s always going to be,’ that can be a tough hole to dig yourself out of,” said Binta Goodridge, a third-year environmental engineering student and the head of speakers and programming for TEDxDalhousieU.  

“With a theme like open your mind to the future, and being in such uncertain times, I think it was really important to give people something more to look forward to. After this pandemic, after this is all over, what’s next?” Goodridge said. 

Why focus on the future now 

Once the pandemic hit, organizers of this annual speaker series embraced the opportunity to give students something to look forward to. (Photo provided by TEDxDalhousieU)

Agha began planning the event in August 2019 with the hopes it would take place in April 2020. At that time, the theme focused on different ways people rise above challenges, Agha said. 

“But as soon as the pandemic hit, we decided it’s the perfect opportunity for us to go with [a theme] related to the future,” he said.  

After deciding to focus on the broad idea of the future, Agha and his team developed three sub-themes for the event.  

The first, women in male-dominated fields, examined the way women combat sexism in fields such as science, technology, math and engineering (STEM). 

The second, sustainability and culture, looked at the ways humans can adjust their collective lifestyles to help combat climate change, as well as different cultures that have already existed in a sustainable manner. For this theme, Goodridge said the event was lucky to secure Chief Andrea Paul of Pictou Landing First Nation. 

Paul spoke about her work advocating for the closure of the Northern Pulp mill in Pictou County, as well as other environmental challenges she has fought in her lifetime, Goodridge said.  

“Growing up in Canada, you learn about Indigenous culture in school, but it’s so frequently, like, the Indigenous culture of 200 years ago,” Goodridge said. “But not how it is now, or how [Indigenous] culture has evolved and changed with the rest of the world.” 

Goodridge said it was important to have Paul speak because she represents “a culture that has from the get-go preached about sustainability and understood that our actions have impacts.”  

“I think there’s so much to be learned from [Indigenous cultures] for us as a society, especially as such a wasteful society,” Goodridge said. 

The third theme, Future of Literature, examined the new forms of writing in an increasingly technological society. Here the speakers attempted to make people reconsider what literature can be: Dal grad student Hunter Stevens  spoke about how scientists can use social media to share research and advance their writings. 

“I just never had really considered [social media] from an academic perspective, or even just as a tool for science,” said Goodridge. “I thought that was a really fresh and interesting idea.” 

How it came together during a pandemic  

TEDx is a grassroots program facilitated by TED Conferences LLC, an American media organization that shares speeches online. TEDx allows communities to hold their own TED conferences, which  are not controlled by TED, but must adhere to certain guidelines and formatting to be licensed as TEDx events.  

This was Dal’s first TEDx event since 2018. In 2019, the TEDx event at Dal was cancelled due to licensing issues, according to the event’s Facebook page.  

Though it already took place, this year’s event is still waiting for its license to be approved, which will happen after TED reviews the videos of the speeches, according to Agha. 

Agha said he expects TED to approve the event and publish the videos of its speeches by the end of February.  

Agha has experience within the TED system: TEDxDalhousieU was the 11th TED event he worked on,  the prior 10 being before he came to Dal. But they were never online. 

“I had to do a lot of research and see a lot of different examples of events that previously happened virtually, just so I can learn,” Agha said. “So it was a new experience for me, definitely.”  

Having no experience with the TED system was somewhat frustrating for Goodridge. She said it was difficult to already have so many protocols set in stone.  

“To not even have, like, a person to have a discussion with about why it should be done a different way, that part was certainly very interesting. But trust in the process, it all worked out great,” she said.  

Dalhousie Poets: change

They say, turn the last page 

Give way to a new age 

Go play on the next stage 

Don’t stay in your old cage 

A new day, a new change 

A little gay, a little strange 

An old day, an old shame 

All the grey, all the same 

Every start shall end 

Every end soon starts 

Too heavy for hearts 

Too painful to pretend 

Even Arthur entered Avalon 

Even Dorian encountered death 

All gods are long gone 

All breathe a last breath 

Waves are meant to crash 

Storms are meant to cease 

Fires end in ash 

Wars end in peace 

Nothing lasts 

Nothing should  

All blasts 

All good. 

Art by Pablo Stanley on Blush.

Dalhousie Poets is a rotating column in the Gazette’s Art & Lifestyle section featuring poetry by students on various subjects. Interested in submitting your verse? Email arts@dalgazette.com.  

What’s wrong with Promising Young Woman?

Editor’s note and trigger warning: This article deals with sexual assault, trauma, suicide and violence against survivors. Additionally, two lines in this article have been edited from the original version in issue 153-11 to respect and maintain the author’s desired tone for the article.

The first thing I did after watching the 2020 film Promising Young Woman was look up movie reviews.  

Reading reviews is something I often do after watching movies. This time, though, my experience was a little different than usual. It was hard to stop shivering and focus my eyes on the screen. While some reviewers deemed the film and its themes important, I wonder: who is it important for?

Plot and reactions 

If you’ve experienced any type of harassment or sexual assault, you might want to think twice before watching this film. (Photo by Geoffrey Howard)

First of all, skip this paragraph if you don’t want spoilers on plot events. Promising Young Woman follows Cassie, a woman still living with her parents, as she attempts to catch men who take advantage of intoxicated women. We discover later she is doing this to avenge her best friend, Nina, who was assaulted by a fellow student at the medical school they attended together; an experience that pushed Nina to die by suicide. Cassie finally finds the man who assaulted her friend and, pretending to be a stripper for his bachelor party, arrives to seek revenge. But in a moment where we might expect Cassie to succeed, the man kills her instead. Until the very end of the movie, it seems he might actually get away with it. 

I am a survivor of sexualized violence. It has taken me a while to come to terms with this, which is also the reality for many survivors. We are often are blocked from understanding our trauma is acceptable. We repeat — in our heads and to others — phrases like, “this isn’t that bad,” or “others have it worse” and “it doesn’t count if I gave in.” In other cases, we are systemically or socially blocked from speaking about our experiences. We hear again and again from social media and other online platforms sentiments such as, “you were asking for it” and “that doesn’t really count.” 

With all that in mind, I don’t feel like my needs as a survivor are reflected in this movie, and perhaps I’m not the only one who feels this way.  

The film demonstrates how assailants can act and look like anyone: attractive, nice, funny people and anyone in between. It shows how trauma from an assault can stay with you and take over your life. The film reveals how often justice is exceptionally hard to come by. But I know all of this, and I’m sure many other survivors know this too. I don’t want to watch this story, though  a revenge fantasy might take the edge off. But instead, this movie simply reminds survivors of loss and injustice by reflecting this reality back at us. The only character attempting to find some justice, in this particular film universe, is eventually  killed by those same assailants. 

 “I want to speak to sexualized violence survivors directly: This movie and its tragedy does not define you.” 

 

For some, this ending is tragic, important and true. For me, it is yet another rape narrative leaving us survivors with less than nothing, not even bits of escapism where we can find refuge.  

The film also doesn’t explore the complexities of what can constitute rape. It doesn’t explore why, according to the Rape, Abuse and Incest Nation Network (RAINN), eight out of 10 rapes are committed by someone known to the victim. The film doesn’t consider how sexualized violence disproportionately affects certain groups more than others along gender and race lines. For example, according to RAINN, Indigenous Peoples in America are twice as likely to experience sexual assault compared to all other races. RAINN also says transgender, genderqueer and gender nonconforming (TGQN) college students are more likely to be sexually assaulted than non-TGQN students. Overall, it seems the film’s creators did not take into consideration all the nuances of sexualized violence and how a tragic narrative like this one could retraumatize its viewers. 

What to take away 

I want to speak to sexualized violence survivors directly: This movie and its tragedy does not define you. Sexualized violence is horrific, but there are communities and supports available for you to draw on. It is not inevitable  you will end up like Cassie or Nina. And lastly, I believe you. 

If you have experienced sexual assault or harassment,  take a moment to consider if this movie is worth the watch. 

If you are a survivor or are looking for support around experiences of sexualized violence, there are several relevant resources at Dalhousie University and the University of King’s College. King’s has a Sexualized Violence Prevention and Response Officer, Jordan Roberts (jordan.roberts@ukings.ca; 902-229-6123), who assists survivors through any disclosure or reporting process they’re interested in. Dal students can contact the Human Rights and Equity Services (HRES) for reporting options (902-494-6672). The HRES also has a new project called PEGaSUS where they hold weekly online discussions for adult sexual assault survivors. The free six-week program continues this term until March 3, 2021. 

Streaming non-English music

Music is a universal pleasure. We all have some artists, albums or genres we listen to on repeat. Sometimes we feel deeply connected to the words and stories of certain songs. But what if those lyrics are sung in a language we don’t speak? 

A common complaint I hear about listening to non-English music is the language barrier prevents you from connecting to the song. But there is so much more to a song than its lyrics, and there are many benefits to listening to music in languages you don’t speak. 

Music is universal 

If you’re willing to listen beyond your comfort zone, music can open up whole new worlds. (Photo by Geoffrey Howard)

A 2019 study conducted by Harvard University found music can in fact be universal. Through gathering music from 315 societies and analysing responses from listeners, the researchers found anyone could understand a song’s meaning (regardless of the language) through its acoustic features, such as accent and tempo. 

What can we learn from this study? Well for one, we should take a chance on listening to music in different languages  because it’s clear music can help you get in touch with your emotions. For example, maybe a strong guitar riff makes you feel excited, or a soothing harp makes you relaxed. You can connect with a song through its non-lyrical aspects. 

A good example of music breaking language barriers is K-pop (or Korean pop music), which is a hugely influential music genre around the world. Many K-pop songs are catchy and uplifting due to their upbeat tempos. You don’t need to understand the lyrics to become a mega fan. 

That being said, it can also be fun to do research into the meaning of lyrics you don’t understand. Take the phenomenon of BTS, one of the biggest K-pop groups around today. While their music is generally uplifting and fun to listen to, there is also important meaning behind their lyrics, which often explore serious themes like loss, mental health and the pains of growing up. While translations may not convey the same depth of emotion as the original words, unpacking the meaning of lyrics you don’t understand can be a valuable experience. 

Non-distracting study songs 

Some people find it helpful to listen to music while they study, while others find it distracting. We’ve all had this debate before with our friends, but ultimately it depends on the person’s personal preferences. 

One primary reason I find music distracting while studying is because I feel the need to sing along to the lyrics. When working on an essay the night before it’s due, it’s not helpful to get into your feelings with some Taylor Swift tune when you’re supposed to be writing about the French Revolution.  

 “One advantage of listening to study music in a language you don’t speak is you won’t distract yourself by singing along.” 

So, one advantage of listening to study music in a language you don’t speak is you won’t distract yourself by singing along. Just listening to the melody and emotion of the song may be enough to keep you in the zone. 

Going global 

Listening to music in languages you don’t speak can open up whole new worlds. It may be hard to get out of your comfort zone, but I promise you it’s worth it. Get out there and really push yourself to experience all the music you can. It may be the start of an appreciation for a particular culture, artist or style of music. 

Helping hungry students

0

While their garden may be emptier than usual, one student society at Dalhousie University is still finding a way to put food on students’ tables.  

The Dalhousie Urban Garden Society (DUGS) launched a new monthly grocery bursary on Feb. 4, 2021, to support students from Dalhousie and the University of King’s College who are struggling with food security. Students will be able to apply for the bursary each month, with four students selected a month to receive $200 from DUGS. 

  “We realized that the pandemic has probably made it a lot more difficult for students, and community members, but particularly students, to afford groceries,” said Ashley Osa-Peters, an executive member of DUGS. “[The bursary is] something that we’ve been wanting to do to kind of bridge the gap in food insecurity in our community.” 

How the bursary came together 

A new initiative by the Dalhousie Urban Garden Society (DUGS) encourages students struggling with food security to apply for their $200 monthly bursary. (Photo provided by DUGS)

Before the COVID-19 pandemic, DUGS provided small pieces of land in their garden on Henry Street to students interested in gardening. Students could grow crops and harvest them, with all produce going back to students, the Loaded Ladle or the Dalhousie Student Union (DSU) Foodbank. 

DUGS is a levied society, meaning they receive funds through students’ DSU fees to conduct their operations. But this winter, with students off-campus due to virtual classes, DUGS decided to use all their funds to support student food security, Osa-Peters said.  

Using their levy funds, DUGS is supporting the grocery bursary and sponsoring the free food boxes at the DSU Foodbank, she said. 

“[The grocery bursary] makes the most sense for us in a year where we can’t interact with our student population as much as normal. It makes the most sense for us to give back in this way,” Osa-Peters said.  

 The goal of the bursary, according to Osa-Peters, is “making sure that people can at least for one month just not worry about where their next meal is coming from.” 

The bursaries will be awarded each month through a selection committee of students created by DUGS, Osa-Peters said.  

The committee selects students based on need and strives to be as wide-reaching and as equitable as possible.  

“We selected people who are like-minded, who are knowledgeable on food insecurity, who are well versed on confidentiality and equity, and everything like that,” Osa-Peters said.  

Students who are awarded the bursary must re-apply if they require it again the next month to ensure all applicants always have an equal chance, Osa-Peters said. 

How food insecurity affects students 

Lord Abbey, associate professor in the department of plant, food, and environmental sciences at Dal said food insecurity can have far-reaching effects on a student’s life.  

“Studying, reading, assignments and tests, and all this is already stressful. On top of that, students have to eat. If the student finishes their schoolwork and goes back home with not enough food or adequate food to eat or nutritious food, this impacts student mental health, and it’s very significant,” Lord said. 

Students are also facing decreased employment opportunities due to business closures during the pandemic, Abbey said, which can make it more difficult for students to ensure they’re food secure. 

For a person to be food secure,  Abbey said, they must have an adequate supply of nutritional and culturally appropriate food all year round. The culturally appropriate aspect means international students are more prone to food insecurity, Abbey  said. 

When international student’s come to Canada, they may be in a location where food is available, but their specific cultural foods are not,  Abbey said. Forcing students to adapt to a Canadian diet can be difficult for students just arriving in the country,  Abbey said.  

“If food is enough, it’s adequate and it’s available all year round. But [if] it’s not culturally appropriate, it means I will not have what I need to eat,” Abbey  said. “That’s why, you know, every component is very important when you are defining food security.”  

Osa-Peters said DUGS hopes the bursary will help students secure the culturally appropriate food they need. 

Changing the face of Canadian media

Black journalists in Atlantic Canada and beyond have come together to inspire the next generation of Canadian media across the country.  

The second edition of J-School Noire Halifax took place on Feb. 13 to 14, 2021. The free two-day workshop provided journalism courses for Black high school students by Canada’s top Black journalists. 

Journal
J-School Noire aims to increase the number of Black journalists in Canada. (Photo from RawPixel.com)

Held by the Canadian Association of Black Journalists (CABJ), J-School Noire began last year in Halifax. This year workshops took place virtually in Ottawa, Halifax, Edmonton and Toronto during Black History Month.  

The goal of the program is to show young Black Canadians a career in media is possible for them, said Brian Daly, the CABJ Atlantic director who runs the J-School Noire program nationally.  

“I couldn’t begin to list the number of different things that [the Black community] has to say and can contribute,” Daly said in an interview with the Dalhousie Gazette. “So part of our goal as an organization is to simply carve out more space in the Canadian tapestry for Black voices.” 

The program provides training in video production, podcasting, writing and interviewing, but is always changing to adapt to media trends, Daly said. The program’s main sponsors are Google and the University of King’s College. It is also supported by CTV and the CBC.  

Changing the media landscape 

“When you’re a teenager and you come up with what you want to do when you grow up, being a journalist is just not on the list for Black families,” Daly said.  

As such, the ultimate goal of J-School Noire is to make young Black Canadians see themselves in journalism, Daly said. After the first edition of the program in 2020, they saw some success.  

“The big payoff came when one of our students informed us a few weeks after the event that she was going to apply to journalism school. She had wanted to pursue a career in law. But she said that she decided to change her mind, and she’s going to apply to journalism school,” Daly said. “That’s incredible right there.” 

J-School Noire is working to combat the lack of racial diversity in Canadian newsrooms. Reporting that neglects issues affecting racialized people contributes to the mythology that Canada is not a racist country, Daly said.  

“Part of the problem there is that Black voices haven’t been loud enough, haven’t been prominent enough in our culture,” he said. “These institutions need us. We need to take a bigger and more proactive role in being part of this extremely important institution called media.”  

Daly said the current media landscape in Canada doesn’t accurately represent the country. “In [the Black community], we have an issue with the media where there is a small number, a really low number of Black journalists. The numbers in the media don’t come close to representing the population in the community.”  

At the moment, Canadians associate Black people with racism, crime, sports and entertainment, he said. 

Increasing diversity in Canadian newsrooms will allow for the broader acceptance of Black people inhabiting a variety of roles in Canadian society, Daly said.  

An increase in the presence of Black journalists in Canadian newsrooms will also prevent tokenism from happening within media organizations, Daly said. Speaking from personal experience, Daly said Black journalists often feel isolated in their newsrooms by the pressure of being the only Black person within the organization.  

“People are turning to you for solutions to problems you couldn’t possibly solve yourself,” he said. “Sometimes you wonder: ‘Are they looking at me for what I am? For what I am here to do, which is to do a job? Or are they looking at me as the Black guy?’”  

The University of King’s College, is also working to improve diversity in Canadian newsrooms through the creation of new scholarships for Black Canadian students who’d like to study journalism at King’s. 

In an email to the Gazette, Tim Currie, the director of the school of journalism at King’s, said J-School Noire is a great opportunity for King’s to advertise these scholarships to future journalists.  

“The Canadian media industry needs a broader spectrum of voices within it,” Currie said in his email. “J-School Noire is encouraging students at an early age to consider a career in the media, and it’s offering them skills training and support to make that happen. It’s an important initiative and King’s is very pleased to support it.” 

Providing the tools for a new age of media 

Daly said  J-School Noire seeks to provide students with basic storytelling and reporting skills that encompass the full definition of media in 2021, which can take many forms from social media reporting to traditional print writing.   

“If a young person decides to get into the media, it doesn’t have to be the mainstream media,” Daly said. “It could be that they decide they want to start a YouTube channel or that they want to start up their own digital publication.”  

Though the program was forced to become virtual this year due to the COVID-19 pandemic, students in 2020 received hands-on training in the Nova Scotia Community College TV studio.  

This year, the program had a heavier focus on podcast production and social media reporting to keep up with the trends in the media market, Daly said.  

Thanks to the support the program has received from its sponsors, J-School Noire looks  to improve in the years ahead, Daly said. Currently, there is work being done to make the program count as a high school credit. Likewise, the CABJ is working with YouTube to create a webinar on video journalism.