Tuesday, August 26, 2025
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Monsters of Folk – Self titled

A few months ago when it was announced that a new record would be coming out from Jim James, Mike Mogis, Conor Oberst and M. Ward under the moniker Monsters of Folk, most people saw the band as a Traveling Wilburys of the indie generation. This was concerning, because if you’ve ever listened to the Traveling Wilbury’s, most of their records sound pretty disjointed and chaotic.

That being said, there is still hope. Do you like My Morning Jacket? Do you like Bright Eyes? Do you like whatever it is that M. Ward does? Well, this record is perfect for you.

Each singer takes his own spot behind the mic for a variety of songs, all under the main production of Mogis. Each singer has his own unique style, whether it is Oberst’s heart wrenching drawl or the angelic tones of the bear of a man that is Jim James. However, all songwriter’s voices are weighted in a roots-rock background, giving the tones a cohesive sound. This adds a lot of variety to the record, but at certain times what the record really needs is structure.

Written and recorded from 2004 to 2009, this wide gap of time is evident all across the album due to its non-cohesive sound. Some instrumentation feels rushed and confusing. A good example of this is Mogis’ slide guitar on “Baby Boomer”, a country stomping track that sounds great, but falls flat when Mogis’s redundant slide kicks in. The riff is so simple, but isn’t catchy, draining the life out of the M. Ward song.

There are a few glorious surprises on this record. Opening track “Dear God (Sincerely M.O.F)” uses an electronic drum beat and Jim James’ atmospheric-reverb soaked drawl to its advantage, giving the track an eerie sonic texture much like later years Flaming Lips. Each songwriter takes a turn on vocals shaping what is essentially an R&B track into a spiritual psychedelic soundscape.

If only the rest of the album was as experimental as the opener.

For fans of all of these artists, this album will sound great. If you’re looking for something that sounds just like My Morning Jacket or just like Bright Eyes, this album may sound like a group of ideas as opposed to ideas in motion.

Grade: B-

Capitalism: A Love Story

Michael Moore: You either love him or you hate him. Personally, I’m a fan of his, and especially of his Oscar-winning Bowling for Columbine. But Capitalism: A Love Story left me in this weird, unpleasant gray area. I can’t remember the last time I saw a film so poignant, yet so ludicrous at the same time.

Moore’s problem is that he can’t resist being the star of his own movie. Capitalism’s lowest points are undoubtedly when Moore is onscreen. From circling Goldman Sachs Insurance with bright, yellow police tape, to arguing with the building’s security guards when he pathetically attempts to make a citizen’s arrest, Moore’s antics appeal only to the lowest common denominator. I realize that he is trying to make a point while providing entertainment, but his shenanigans only serve to weaken his position.
Moore is at his best when he stays out of the film and just lets the simple tragedy of his subjects make his point.

Evicted families with nowhere to go and bankrupt retirees only scratch the surface of Moore’s look at the capitalist system from a human perspective. When he digs deeper, it is chilling to learn about companies like WalMart taking out life insurance policies, called “dead peasant” clauses, out on its workers in hopes that they will die – proving the average American worker to be worth more dead to a CEO than alive.
That being said, like all of Moore’s films, Capitalism is purely one-sided propaganda. Moore never offers any counterpoints that might undermine his argument, much of which is strung together by a series of assumptions and speculations presented as fact. Ultimately, though, Moore demonstrates why he is a filmmaker and not a politician. His movie is rich with emotional fervor that aims to rile up the public and give power to the proletariat. Unfortunately, considering the state of the American economy, I doubt the majority of the proletariat will even have the funds to pay to see the movie. Now, if Moore distributed his movie under a “pay what you can” philosophy, this review might be a whole other love story.

Grade: B-

Whip It’s a predictable but fun story

Contrary to popular belief, Whip It is not Juno on roller-skates. Where Diablo Cody’s Ellen Page would probably say something adorably ironic in the face of death, or some would say worse – teen pregnancy, Drew Barrymore’s Ellen would spare us the verbal diarrhea and simply kick some ass.

That is, once her skates are on. For about the first twenty minutes of the film before this fateful moment, you wonder if Page’s character, Bliss Cavendar, is a more stolid and less funny Juno: bored with no bite.
Granted, her life could use some colour. She lives in dreary Bodeen Texas with an officious pageant mom (Marcia Gay Harden) and a benign beer-bellied dad (Daniel Stern) who can’t be bothered to subdue his overbearing wife. Bliss’ sole refuge is a part time job she shares with her only friend Pash (Alia Shawkat) at a swine themed roadside restaurant. Here they trade trials, tease their Mexican manager whom they tenderly refer to as “Birdman” and serve the town special: a pulled pork sandwich the size of your head. Bliss is not happy.

So, she and mom, and (to her annoyance) her little sister – who meets with flying colours all her mother’s pageant demands to which Bliss only acquiesces – take to the road for a little shopping in Austin. It’s in a second hand clothing store that doubles as a head shop (her mother comments on the “lovely vases”) that we realize Bliss won’t be bored forever, when a bevy of derby girls roll in bearing breasts, midriffs and glossy pamphlets.

She instantly falls in love with the sport, which to my knowledge involves girls in short skirts skating around a track. Four of these, two from each team, are trying to pass as many opposing players as possible, sometimes taking each other by the arm and whipping one another forward (hence the movie’s namesake).

So Bliss puts on her old skates and tries out for Austin’s worst team, The Hurl Scouts, whose roster includes director Drew Barrymore as “Smashley Simpson” and rapper Eve as “Rosa Sparks”.
Bliss makes the team, meets a cute boy in a rock band and adopts the alias “Babe Ruthless”. And she pushes the bitchy girl at school off a banister. Things are looking up.

It’s refreshing to see Ellen Page develop into a grittier version of the character she always plays. Not only does it give her a humility we haven’t seen before, but it also hints that maybe she didn’t emerge from the womb taking mildly ironic jabs at people. This could be attributed to Barrymore, who is hilarious in her role as a blood-thirsty stoner on skates, but who has also proven herself to be a competent and intelligent director. The movie’s tender moments are so because they don’t slip into melodrama. Every girlish grievance (and there are many) is met with tears but never without a laugh.

Whip It is a story we’ve all heard before: Teen outcast with but one friend in the world finds inner strength in an alternative niche, and in doing so, finds herself. Replace the Roller derby with step dance or rocket science, and not much changes. Same story, different extra-curricular activity. But predictability isn’t always a bad thing. Knowing what’s going to happen can be fun. And Whip It is a whole lot of fun.

Grade: A-

The end of an era?

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Eleven years ago, I had the privilege of attending the last game of the Blue Jays’ 1998 season. My Jays were a respectable 87-74, and though their last-ditch playoff push had come up short, there was cause for celebration.

It was the best season our franchise had enjoyed since winning it all in 1993. Roger Clemens had all but wrapped up his second Cy Young award in two years with the club, and we’d even scrapped our way into postseason contention with a franchise-best 11-game win streak in the season’s final month. 40,000 came out to the SkyDome that afternoon to show their appreciation for what had been an inspiring campaign.

With the faint glimmer of playoff hope now squashed, the Jays took the opportunity to give one of their young upstart pitchers some big league reps. I was outraged; Clemens was on four days rest and it was his turn in the rotation. He had been dominant all year long, led our club back to reputability, and here he was being robbed a chance to personally close the books on the season and – in all likelihood – his career in Toronto. Instead we sent a 21-year-old unknown by the name of Roy Halladay to the hill, with one unremarkable major league start under his belt.

After four innings, I’d forgotten all about Roger Clemens. I looked up at the scoreboard after every pitch, just to make sure, and there I saw the two zeroes side by side in Detroit’s line – no runs, no hits.
Here’s the amazing thing about a no-hitter in baseball: it’s feasible enough that you have a hope of seeing one anytime you tune in to a game, but rare enough that witnessing one is still unbelievably special. I had always wanted to see a no-hitter; every game I went to I thought about it. I’d keep my fingers crossed until I saw that zero in the second column turn to a one. Sometimes it happened on the first pitch of the game, saving me a mountain of stress and obsessive-compulsive glances at the scoreboard every five seconds.

That day, Roy Halladay spared me none of the anxiety. Heading into the top of the ninth, the Jays were up 2-0 and the Tigers still hadn’t registered a hit. What made it even more impressive was that he hadn’t even walked anybody. Only a Felipe Crespo error had cost young Roy a chance at a perfect game.
Nobody in attendance knew what the hell was going on. Who was Roy Halladay? What business did a pup making his second career start have flirting with perfection? The stadium was hushed, everyone sucking in their breaths, waiting to exhale and claim their own small piece of history, or waiting, perhaps, for it all to come crumbling down.

Then Roy quickly retired the first two batters in the ninth, and 40,000 weary fans allowed themselves to dream. The place erupted. Everyone rose to their feet – just one out standing between them and the ultimate spectacle, between Halladay and immortality. Cautious optimism was replaced by supreme confidence.

I guess it would make it more interesting if I said I felt some indeterminate sense of foreboding when Bobby Higginson stepped to the plate as a pinch-hitter, that somehow I knew something wasn’t quite right or that I should have seen it coming. Retrospection usually works like that anyway. But I remember thinking beyond a doubt that Higgs would make the last out of that game, right up until the moment his first-pitch drive cleared the left field wall. Then I just felt sick to my stomach. One swing had crushed my hopes and drained the life out of the entire building. When Halladay retired his 27th batter on the very next pitch, completing a masterful one-hit, no-walk, 94-pitch gem, I didn’t even notice. It felt like we had already lost.

That missed opportunity doesn’t irk me so much anymore. I’ve come to see the poetry in the act of falling just shy of perfection. Maybe I’m just deluding myself because it’s all I can do at this point, but I like the fact that that game left something on the table. And I like thinking that maybe, just maybe, that near miss gave Roy the fuel he needed to come back with a vengeance and give himself a chance to finish what he couldn’t the first time around. Of course, he hasn’t been able to do so yet, but it’s hard to complain about the way the script has played out.

Things got off to a rocky start (in 2000 he was 4-7 with a 10.64 ERA, the highest of any pitcher to ever pitch more than 60 innings in a season) but soon Roy found his groove, and just two years after that disastrous 2000 campaign, he was an all-star. The next year he won the Cy Young. By then he was “Doc” Halladay, and baseball people were calling him that without even flinching, despite it being the great Dwight Gooden’s old moniker.

Doc’s last eight major league seasons have been as good as any pitcher’s in baseball. From 2002 to 2009 he amassed a record of 130-59, with a 3.13 ERA and an incredible 46 complete games, easily the most in the majors during that stretch. He was an all-star in all but one of those seasons, and finished in the top five in Cy Young voting five times. But it isn’t those numbers that stand out. What stands out is the fact that I’ve felt compelled to monitor every pitch of every game that Doc’s been on the mound for, because there has never been a player I’ve enjoyed watching more; that when he’s pitching, I don’t mind watching our batters go down in order because I hate watching him stew and cool off in the dugout; that even during his most dazzling performances, even when he’s pitching with a huge lead, you’ll still see him cursing at himself over seemingly inconsequential mistakes. In his tenure with the Blue Jays, Doc has exemplified professionalism. His competitive fire has burned through eleven middling seasons without ever getting a taste of the big dance, and yet he has never publicly complained about management or ownership. He has shown immense loyalty to the Blue Jays’ organization, and even amidst a torrent of trade rumours this summer, he quietly put together yet another Cy Young-worthy campaign.  Doc has never demanded anything less than perfection from himself every day he’s taken the hill in a Jays uniform. I still like to attribute that in some part – however small – to that September afternoon in 1998 when perfection narrowly eluded him.

Now Doc might be on his way out of Toronto. With his contract expiring at the end of next season, it seems inevitable that the Jays will try to move him and get some valuable assets in return while they still can. And the one thought that pervades all the feelings of anger, sadness, and uncertainty that this impending situation has evoked, is a wish that we could have done more for him. Doc never said he wanted out of Toronto; all he ever asked for was a chance to win; to play in the postseason. We never gave him that. I don’t know that anything could or should have been done differently – we play in the toughest division in baseball; making the playoffs is a tall order – but I can’t help thinking that Doc deserved better. Now we’ll never get a chance to see the best hurler in franchise history throw a pitch in a Jays uniform when it matters most. I don’t feel cheated so much as I feel like Doc got cheated. The enduring memories of the best to ever play the game are forged in the playoffs. Doc can’t claim any vintage performances on the game’s biggest stage, nor does he have a signature moment that people can associate him with. Instead, I tell all my friends about the time I watched Doc almost pitch a no-hitter in his second career start.

If this is in fact the end of Halladay’s Blue Jays career, he certainly bid us farewell in style. He posted four complete games in his final six starts, including a one-hit shutout against the Yankees and a six-hit shutout against the Mariners in his last game at home. Then of course there was the game in Boston, billed as Doc’s last start as a Jay. I watched him take a no-hitter into the bottom of the sixth inning, the whole time thinking to myself how wonderfully poetic it would be if Doc could just take care of that unfinished business in his last appearance as a member of our club. In the end, he scattered three singles over nine innings in a 12-0 win. Not quite the storybook ending I had hoped for, but not far from it.

Doc has a lot of years left in him, and somewhere, somehow, he’ll leave his mark on the MLB. Whether he’ll avenge the death of his no-no of 11 years ago is another question. But no matter what uniform he ends up wearing next year, or 10 years from now, I’ll be pulling for him the whole way.

Women’s hockey season preview

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Hockey season might just be starting, but coach Lesley Jordan is already excited about how her team is shaping up. Jordan, who is going into her eighth year as head coach of the Dalhousie women’s hockey team, is hoping for great things in 2009-10. Finishing the pre-season with a 2-1 record, she has reason to be optimistic.

“We’ve shown we can be competitive in the league this year,” says Jordan.

After finishing fourth in their division last year, the coaching staff set out to strengthen their team during the off-season. Jordan feels they got what they wanted, and her team is now a more complete group.

“We’ve gained a lot of experience in some of our older players,” says Jordan. “We’ve also added some speed and skill with our first-year players.”

The team welcomes seven rookies for the 2009-10 season, with five forwards and two defence added to last year’s group. These first-years make the Tigers a much deeper team – exactly what Jordan wanted after last year’s campaign.

“That’s going to be the biggest thing up front, having that added depth,” says Jordan. “We can put anybody in any situation.”

Last year, the Tigers lost 4-1 in the AUS championship semi-finals to eventual winners Universite de Moncton. They will try to use that experience when they open up their season at home against the St. Thomas Tommies on Oct. 17. There might be some new faces on the ice that night, but the basic approach hasn’t changed one bit.

“We have the same sort of philosophy going into every year,” says Jordan. “Three things: we want them to play hard, play smart and play together.”

Helping the Tigers this year will be the experience of their head coach. Jordan is in Hockey Canada’s coaching pool and has benefited greatly from her time coaching at the National level. At both the U-18 and U-22 levels, Jordan has coached in a wide variety of roles. She has worked as both a goaltending coach and a video coach. Exposure to this elite level of hockey is something she feels has improved her coaching at Dalhousie.

“The players and coaches are top notch,” says Jordan. “You get to work with a wide variety of coaches and players so you get so many different points of view.”

The Tigers women’s hockey team will need all of that coaching expertise to do well in what looks to be a very competitive division this year. With all seven teams getting stronger during the summer months, the Tigers won’t have any easy games during their season.

The seven teams in the division will be playing for two berths into the National championship. There is an extra spot because it is being held at St. Francis Xavier this year, one of the AUS universities. This is guaranteed to be extra motivation for Jordan and her players and whatever happens, it should mean a very close race at the top of the league.

“Any of the seven right now are in the running for that other berth,” says Jordan.

Baseball Tigers hunt for postseason

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After a more than disappointing 2008 campaign, this year’s version of the Dalhousie men’s baseball team has taken to the field with a fresh outlook. A handful of veterans and a new coach combined with seven new players, including a two time national champion, has team president and starting third baseman Will Stymiest salivating.

“In recent years we’ve put together clubs that had what it took to bring home a title. This year is no different. It’s a little presumptuous to say that we’re going to win it all this early in the season but I have faith in the guys in our clubhouse,” says Stymiest.

Despite a team full of veterans and massive expectations, last year’s club fell short in the CIBA (Canadian Intercollegiate Baseball Association) to the UNB Cougars, who later repeated as National Champions. The Tigers have not won a National Championship since 1996.

Dalhousie opened the season with back-to-back double headers. They split a set with the University of Cape Breton two Saturdays ago. The following day they fell just short in a 10-9 loss to the defending National champs UNB before being rained out in the second half of the two-game series.

Despite a rough opening week, new coach Dr. Phil Mintern likes what he sees.

“I’m already impressed with our group,” he says. “Pitching and defence are the heart of any solid baseball team, and I’ve been impressed with both.”

He sees no cause for concern this early in the season, for as he puts it, “the first few games are a real ‘feeling-out’ process.”

Mintern knows what it takes to bring home a championship. He was a member of the 1996 team and believes that this year’s squad has the makings of a real contender.

“I think we are well put together to be a big player in the Atlantic Division. I can see this team gelling really quickly, and playing some very entertaining baseball leading up to the playoffs, where I hope to see big things happen.”

Stymiest knows the importance of this season. As a fourth-year student who plans to attend medical school next year, he realizes that there is not a lot of time left.

“For a lot of these guys, this is their last kick at the can and I don’t think that any of them want to leave university without being able to say that they brought home a National Championship.”

The Atlantic Conference is arguably the toughest in the country. Fan support is one of the many problems facing the Dalhousie squad. On some occasions the bleachers are completely empty.

As Coach Mintern notes, “Our guys would love to see the black and gold fans come out to support us. Knowing your school is behind you always brings out the best in an athlete.”

It smells like an election up in Ottawa

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By Ben WedgeStaff Contributor

Depending on who you are, the smell of a pending election ranges from the smell of coffee brewing as the sun rises up on a bright new day for the Conservative Party to the smell of rotten eggs as fall downpours continue to rain on the Liberal Party.
Ironically, it is Ignatieff who seems to want the election most.
Canada’s political situation is shifting. Mere months ago, the Conservatives and Liberals were in a near dead-heat in the polls. Now, the Conservatives are kissing 40 per cent in numerous polls, and the Liberals are well below 30.
What’s worse for the Liberals is that their support has collapsed virtually everywhere. Conservatives are at 46 per cent in Ontario, and even have the lead by a few points in the GTA. Once past Sudbury and heading west, Conservatives enjoy a not-too-shabby 54 per cent support. Some signs are pointing to a majority for Stephen Harper.
The good news may not be over for Harper, however. The polls coming out this week, for the most part, were completed before Oct. 3, the night Harper stepped on stage at the National Arts Centre to play “With a Little Help From My Friends” with cellist Yo Yo Ma.
Harper showed off his piano skills, and sang much of the song by himself. The positive reaction to the videos circulating on YouTube has been nothing short of extraordinary. Much of the popular press has had nothing negative to say either, with mostly resounding support for Harper’s move at the fundraising gala.
The move hasn’t placated some voters, who are still up in arms about the supposed funding cuts to the arts. The budge for the CBC went up 19 per cent between 2006 and 2008, despite losing the contract to cover the 2010 Vancouver Olympics.
Even the 800 staff members who were expected to be laid off are being kept.
Other funding cuts, for festivals, tours, etc., had their funding shifted to departments such as Tourism and Heritage. The rest of the “cuts” were cancelled, in favour of cuts in other departments.
Harper needs to tighten the purse strings of government soon, in order to prevent us from getting too close to a Trudeau-style tax-and-spend government. The sooner the recession is truly over, the sooner the books will be back in the black. Hopefully it doesn’t take as long as the most pessimistic predictions say.
The Harper government also committed $2 billion for post-secondary education facilities alone. Dalhousie and King’s have received almost $30 million to fix the Life Sciences Centre and do some work on the air systems over at King’s. Nova Scotia has received a decent chunk of change to keep shovels in the ground.
While Harper’s post-secondary education platform could be bolstered, most student journalists are overlooking his achievements.
This government introduced the first national system of needs-based grants. That program will give students from low-income families as much as $2000 this year to help pay the cost of their education.
Some of the Conservative government’s tax breaks also target students. The lack of GST on textbooks saved many students at least $20 this semester, not much, but still enough for a night out for many. For students who don’t have access to the U-Pass, there’s also a GST rebate on transit passes. With GST being the only tax we pay (well, HST in Nova Scotia), the drop from 7 to 5 percent has been a help to students.
An election this fall could be a dream come true for Harper with the sweet smell of victory on the horizon.

Letters to the Editor

Re: Reading required to inspire minds

Public Services staff members at Dalhousie Libraries are observing a significantly elevated expectation that we will hold copies of textbooks and prescribed readings in our collections and/or on Reserve. Tough economic times, a shortage of summer jobs and the burden of student loans certainly make it understandable that students are reluctant to pay upwards of $150 for a single textbook.
We appreciate Glenn Blake’s comment that the library “does not have the budget to be buying books for each class.” Indeed it is our policy not to purchase textbooks, for a variety of reasons. Our collections budget is dedicated to acquiring new print and electronic books and journals, databases, reference materials, media, etc. to support courses at Dalhousie. It would be inappropriate for us provide access to the recycled, repackaged knowledge published in textbooks, which must be updated annually at considerable cost.
To improve the situation for students, we actively encourage faculty to put copies of textbooks on Reserve. Our subject librarians contact their departments to ensure they are taking maximum advantage of our Reserve services, and the Circulation Departments send out reminder emails to faculty in July concerning their Reserve lists. We also encourage regular faculty members to avail themselves whenever possible of the electronic resources, e-books and e-journals the Libraries have acquired, and to incorporate access to these in their course outlines and the Dalhousie course management system.
We sympathize with students regarding the high cost of textbooks, but are hopeful, from our own experience with the purchase of electronic materials, that costs will begin to fall in the next while as textbook publishers transition to new electronic book formats accessible on the web or through a variety of new e-book readers. With the great success of iTunes, can iBooks be far behind?

— William Maes, University Librarian

Re: The hole in our health care

To label the shortage of services for those with mental health problem as “the hole in our mental health system” is a kindness. I think the holes are more like craters. Services to the general public are under-funded, understaffed and are inconsistently available.
I have never met Holly Huntley. I wish I had. Her passionate advocacy speaks clearly through her writing. But it is like the two of us are looking at some figure-ground picture and agreeing on some things, but seeing different perceptions. Is it a vase? Is it a woman?
I do know Holly’s boss, Stan Kutcher, who was interviewed for the article. Stan has collaborated with the Counselling Centre. Staff members here have spent hours volunteering our time to help with the writing and the editing of the Transitions book Holly refers to.
I’m glad Holly feels so passionate about the value of the booklet. Counselling Centre staff members have also written publications for which there are insufficient funds to distribute to all students.
Our centre’s staff members consult with various other services when it would be helpful to serve our students better. Having good relationships with our mental health colleagues throughout Metro is essential. Although there are holes and shortages in the mental health system, many people are working hard together to provide the best care possible. You would be shocked to learn about the number of unsung heroes in our systems that have jumped over holes, refused to acknowledge holes, or have personally filled in holes.
Like Holly, Stan is also a passionate advocate for mental health consumers. I have heard him speak at numerous fundraisers and admire his work and his personal style. Sometimes it is difficult to understand a system at first glance. Whether you are looking at us as a system with holes or a system with people stretching to provide the best services for you, please know we want to be helpful.

— Jeanette Hung, Career Counselling services Coordinator, Counselling Services

Music from and for the heart

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Music or medicine: why not both?

Dalhousie University has integrated these two seemingly opposite paths into Music-in-Medicine.

The program has evolved under a man who has accomplished more in his lifetime than most could hope for. Officer of the Order of Canada. Former Nova Scotia health minister. Cape Breton-born piper. Not to mention the plethora of awards and acknowledgements of achievement. Dr. Ronald Stewart’s CV reads a life of accomplishment, dedication to community and a passion for music.

What really drives Stewart is his ability to teach medicine through music.

“Music does have a certain element we can use for teaching purposes and for purposes that we believe are important to the understanding and practice of medicine,” says Stewart.

As an example of music’s role in medicine, Stewart tells the story of the invention of the stethoscope. A musician, R.T.H. Laënnec, created the tool and later became the first pulmonary physician.

“We now do not attempt to teach facts. Instead we teach where to go to get facts, and how to problem solve, because with constant advancements in knowledge and technology the facts are always changing,” says Stewart.

Although the humanities have always been a part of medical education, they have only been drawn to the forefront of medicine over the past couple decades.

“With the advancements of technology (physicians) are facing ethical challenges that were not in existence back in the 1950s and 1960s,” says Stewart. “For instance, reproductive technologies, euthanasia and artificially prolonging lives.”

Understanding a deeper region of ethics is essential to the practice of medicine today, Stewart says.
“We want students to learn about their own emotions and how to express them. It is important for a physician to be able to express themselves; the appropriate touch, look and communication.”

The program helps medical students develop the expression and observation skills crucial to the practice of medicine. Chorale singing is proven to decrease stress levels, providing a release from the demands in professional education.

Music is inherent in medical practice, he adds.

“When (physicians) examine people, they are listening quite often to musical sounds. They listen to the heart sounds, which are musical sounds produced by vibrations.”

The Music-in-Medicine program involves a more active relationship between students and faculty members. It’s also tailored to the participants of that particular year.

“If there are students who play a certain instrument or have a certain talent or interest, we try to incorporate that into the program” says Stewart.

The program is home to the male acapella group the TestosterTones, the chamber choir The Ultrasounds, the Dalhousie Medical School Chorale and even a Celtic band that jams in the University Club.

It has an enrollment of about 150 medical students, mostly first- and second-year. But about 90 per cent of the medical students still have some sort of association with the program. This includes direct and indirect participation, like attending a concert. Faculty members, physicians and alumni are also involved, making the program a big hit in the realms of the medical school.

“People who have a broader outlook of themselves and life in general will practice better observation abilities, and medicine is very much being able to subtly see the signs that might indicate that something is going wrong,” he says. “But mainly it’s the ability to empathize and reach out to people, which is fostered by the humanities.”

The Gazette goes to Fredericton

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Our car pulled into the driveway of the house in which we expected to spend the night. Cold and tired, we stumbled up to the door of our billet’s house only to discover the door was locked. Frantically, we made phone calls to track down the keys so we could rest our weary heads for the busy weekend ahead.
This past weekend four Gazette editors journeyed to Fredericton for the Atlantic Regional Canadian University Press conference (ARCUP), a meeting of student newspapers from across Atlantic Canada. The Gazette has rejoined the Canadian University Press (CUP)

This gathering was a coming home of sorts. It was important that The Gazette begin rebuilding relationships with other student media outlets. As student newspapers face increasing strains from all sides, The Gazette must evolve to ensure we continue giving our readers strong journalism and relevant resources.

From talks featuring professionals in the field and roundtable discussions with other student papers, we learned considerable amounts this weekend. From how to use our Twitter feed to inform our readers of breaking and ongoing news stories, to how a website should be more user friendly, we learned how to engage readers beyond our traditional print format.

The print medium is taking huge strides in different directions and we must remain vigilant of trends. Journalism is becoming a two-way conversation between the writer and the reader. We want to foster this two-way conversation with students.

In past years, Gazette staff members have ignored the reader’s voice. But we have made huge strides this year to rectify that and bring readers into our conversation. By learning what other student newspapers do, we can create a strong, well-rounded paper.

The Gazette will continue our involvement with CUP. From putting more of our stories on the wire, to developing resources that other papers can use, our paper is developing a strong presence in the organization.

CUP allows our paper to gain nationally and regionally relevant stories from the wire, graphics from across the country and strong resources for staff. If you write for us this year, you will gain access to resources that will help build your writing skills while exposing you to a larger audience. Through the wire service, student newspapers across the country can pick up your story. In addition to the wire, writers can make use of the plethora of resources that include both journalism professionals and student journalists.

Gazette staff members have made sacrifices – mainly sleep – to ensure that we reach our goal this year: to give our readers quality journalism. The Gazette has begun a new chapter in its long history. Through CUP we hope this chapter will be the strongest one yet.